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I am standing with my date outside of St. Andrew’s Wesley United Church, on the corner of Burrard and Nelson, when we are approached by Uncle Luigi. “Where is everyone?” he asks. “They were supposed to pick me up at the airport hours ago! I had to walk here!” My guest and I are a little confused at first.
“How do you know my sweet niece Tina?” he asks. “Oh, we worked together as teens,” I lie. “Oh! You were a call girl too?!” He seems excited. My face goes red. “You know, at the phone company, that’s what we call them in Italy – call girls,” he clarifies, and everyone bursts into laughter. Immediately I clue in – I am right in the middle of the play already, and the doors haven’t even opened yet! I can’t tell who are guests and who are actors, but either way we are all here to see Tony and Tina wed. What sets Tony n’ Tina’s Wedding apart from other productions in Vancouver, besides the fact that it is the longest running show in Western Canada, is its ability to actively involve the audience. The audience members (or ‘guests’) develop their own background stories and connections to either Tony or Tina, and the performers, who are performing all around at all times, find ways to incorporate those stories into the main storyline. After the ceremony, everyone walks to the reception, a few blocks away, where the Queen Elizabeth Theatre Restaurant has been transformed into Vinnie’s Trattoria. Here, everyone is treated to an Italian buffet and an evening of hilarious antics. Everything that could possibly go wrong at a wedding does, including a mother who steals the spotlight from the bride, illicit hookups between friends, a striptease, and the arrival of an obsessed ex-boyfriend. Guests are encouraged to get involved in the storyline through dance, gossipy conversations, and singing along with Italian love songs. “Every show is different,” says Holly Rolfe, who plays Tina in the production. “There is a storyline, but there is still a lot of improvisation – it’s an exercise for any actor. It’s like my weekly workout.” Rolfe, who auditioned for the play two years ago and originally started off as a nun, Sister Terry, says the most surprising thing about the show is: “So many guys are dragged out by their wives because they think it’s just another wedding. As soon as they get here they have the most fun. Men get more animated, which says a lot about the show. People come with expectations that they know what the show is about … most people leave surprised.” She adds: “It’s really sad that the show is coming to a close … we’re really like a family.” So why would such a hysterical show come to a close after 14 long years? “When we moved to the civic theatre [Queen Elizabeth Theatre Restaurant], we were told that we could not use the facilities during the Olympics,” says Michael Fera, who co-directs the show with his wife Tanja Dixon-Warren. According to Fera, the production moved to the QET Restaurant a few years ago to give the co-directors more control over food and catering; the previous venues had been contracts with restaurants. “It was a tough decision, I mean, our kids grew up in the show. It’s even harder for Tanja. I’ve had other projects to work on over the past 14 years, but since day one, Tanja has always done Tony and Tina’s.” What’s next for Fera and Dixon-Warren? The couple plans to take on three David French scripts this summer – Of the Fields, Lately; Leaving Home; and Salt-Water Moon, which will be running from July 2 to August 1. If you haven’t seen the play already, now is your chance to be a part of Vancouver history. Over 1,000 of Vancouver’s best actors have performed in Tony n’ Tina’s Wedding since July 8, 1995, when the play first opened. You don’t have to worry about seeing the same performance twice, so if you have already seen it, this will be your last chance to enjoy it all over again. Tony and Tina will marry for the last time on May 30, 2009. Without a doubt, every wedding you attend after this will seem dull and boring.
The show, including dinner, plays every week from Thursday to Saturday. Tickets are available through Ticketmaster www.ticketmaster.ca; or through the Hoarse Raven Box Office (604) 665-2373. More info at www.hoarseraven.com
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